The Wild Garden
By Harriet Smart
Melancholy surprised Kate Mackenzie as she packed up her room in
Liz’s flat. She felt the prick of tears in her eyes as she
emptied the cupboards and drawers, trying to cram the debris of
several years into the empty boxes, shovelling away the most
worn out of her old clothes into a plastic bin bag. Then, when
she came to gather up her painting equipment, a tear actually
had the audacity to run down her nose and land ostentatiously on
the cover of one of her sketch books. She stared down at it,
tried for a moment to be irritated, and then sat down on the
paint spattered bentwood chair and permitted herself to cry.
She would never have cried if she had not been alone. If
Gabriel had been there, or Liz, or even her mother
(especially her mother) she would not have given into sentiment.
For that was all it was, wasn’t it? An agreeably miserable
wallow in the past, a necessary rite of passage. She and Liz had
had such good times together in that flat in Barclay Terrace,
but things like that did not last for ever. They were both
moving on. Martin, Kate guessed, would be moving in pretty
shortly, and she was going to Gabriel and to Allansfield.
She sniffed hard and wiped her eyes, laughing at herself now.
Gabriel and Allansfield - there was nothing to cry about there.
She was not being turned out on her ear into the freezing
streets. She was going to live with Gabriel Erksine in his
country house in Fife.
She got up and began to throw tubes of oil paint and brushes
into a large green shoe box, wondering if she ought to stock up
with more paint before she left, and then remembered that
Gabriel had assured her there was a good art supply shop in St
Andrews. "There is civilisation beyond Edinburgh, you know,
Kate," he had said with a smile. He was right, of course, and she
needed to be weaned off Edinburgh. She had never lived anywhere
else, although she knew this showed a distinct lack of curiosity
on her part. Her contemporaries in the Fine Art honours class at
Edinburgh College of Art had scattered far and wide, in the four
years since graduation, some to London, some to New York but
many of them had gone to Glasgow. Kate went to see them
sometimes and had been quite tempted by their spacious studios
in old warehouses. Being in Glasgow seemed to do great things
for their careers. Yet the moment she was back in Edinburgh, she
had always known Glasgow would not suit her. Edinburgh, she had
found, fed her imagination - and so, with a bit of luck, would
Allansfield.
Falling in love with Gabriel had been a strange business. Kate
had not intended it to happen. She had not been in the mood for
getting involved with anyone. She had just broken up messily
with an abstract expressionist called Simon whose attitude to
commitment had been as sloppy as his brushwork. She had, as a
result, adopted a hostile attitude to men. Yet at the Private
View for the Manzoni Gallery Winter Show she had been fascinated
to see a striking man, looking at the two large pictures that
she had persuaded Sandra Manzoni (with some difficulty) to put
in the show.
At first, he had been looking at her Pandora, tapping his
catalogue gently on his chin, as he read every detail of the
composition, his lips fixed in a careful line of concentration,
his eyes never wavering, one arm folded across his chest. He
rocked slightly and moved onto Triptych, glancing back at
Pandora as he did.
She tried to be inconspicuous. She even pretended to study one
of the large abstract spatters that hung nearby but she kept
glancing at this man, who appeared quite rooted to the spot in
front of her picture. She moved and pretended to look at
Pandora. She heard him stir slightly beside him, and took as
long a look at him as she dared. She looked longer than she
meant to - his face was interesting. It was not just the look
of concentration which impressed her, but the physical quality
of his features: they were somewhat craggy, and were worn by age
and by experience. She wanted at once to paint him and wished
she had the cheek to suggest it, for it was clear he liked what
he saw in front of him. She knew she should have had no qualms
about jumping for a bit of business. She could see from the cut
of his dark, elegant suit and his gold cuff-links that he was
well-off, but Kate held her tongue. She did not wish to break
the spell of his looking.
He realised that she was standing beside him. With an elegant
gesture with his catalogue he surrendered Triptych to her
attention, as if he did not like to hog it. He’ll move on now,
she thought, but he moved back to Pandora. I ought to say
something, he might want to buy it. I might actually have a
customer here. But her throat was dry.
"These really are the best things in the show," he said,
suddenly. "Why they hang such gems down here, I don’t know."
He was speaking to her and she knew she ought to come up with
some appropriate response. All she could manage was a foolish
grin, and the odd thought, that his voice was as interesting as
his face: a little hesitant, a little husky but very expressive.
"Do you know the painter?" he said, looking at the catalogue.
"Kate Mackenzie - is that it?"
"Yes, Kate Mackenzie," she said, managing to speak at last. "I do know
her - well, I mean to say that’s me..."
"Ah…" he said and nodded to her in fashion which in a more
ceremonious age she might have mistaken for a bow. "Then, many
congratulations."
He had introduced himself and they had begun to talk about her pictures.
He was knowledgeable about painting without being pretentious. She
sensed at once he understood what she was trying to do in her work and
she began to bask in the agreeable glow of his intelligent appreciation
of them. Then he had made her jump out of her skin by telling her he
was going to buy them both.
"Both?" she said. "Are you sure?" She wanted to add, "do you
know how much they are?" and he, as if reading her mind said, "I
think they are bargains at a grand a piece."
Kate grinned, recalling the conversations she had had with
Sandra Manzoni over the price. "Your pictures are too large,
Kate. People don’t have room for such big pictures. You’re
more likely to sell at a lower price - seven hundred and fifty,
perhaps." She was glad she had stuck to her guns over a
thousand.
"Well, my bank manager is going to like me," said Kate, "for a
change."
After the sale had been settled, with Sandra Manzoni fluttering
and crowing with delight, he had asked, with a certain amount
diffidence, whether she would like to go for dinner somewhere.
She found could not resist this request. She wanted to
celebrate, and it was business after all. She might get another
commission from him.
They went to a fish restaurant which Kate had often walked past
with envious glances, feeling she would never be rich or smart
enough to eat there. That night, she had felt quite comfortable
amongst the art-deco panelling and glowing lamps. She was
wearing her best clothes, and now she had become used to the
idea that she was an artist who actually sold pictures, she felt
she had a right to be there. Or was that feeling of confidence
entirely due to the lovely cold Chardonnay? They had drunk a
bottle down pretty swiftly (hardly very difficult from those
vast glasses) and it was settling on to her empty stomach with
incredible ease. She felt beautifully relaxed and not at all as
if she were out with a stranger. Perhaps it was not the wine at
all but Gabriel Erskine. He had the knack of making her feel
quite at home with him.
They had finished their first course, the bottle of wine and a
very good conversation about food, when Gabriel leant back
against the banquette, stretching his arm out along the back of
it, and smiled, most contentedly. "That’s the best smoked
salmon I’ve had in ages. It so rarely has any taste these
days."
Kate finished her last mouthful of prawns in saffron sauce and
smiled. "I wish I had such a long perspective on the matter."
"I am very spoilt in that respect," he said. "We used to have
wonderful smoked salmon at Allansfield - that’s my house in
Fife. It came from my mother’s family, up in Argyll. They had
their own smoke house on the estate, but then my cousins had to
sell the place in the sixties. A great shame really."
"I wonder if it really tasted that good," said Kate, leaning her
elbows on the table and resting her chin on her knotted hands,
trying not to be overawed by casual his references to country
estates. "Or is that just nostalgia?"
"The young can be very cruel, can’t they?" he said, reaching out
and refilling her glass. "Well, just you wait - you will have
your own sacred notions to be disabused of...." He smiled.
"Probably, it didn’t taste any different. I just associate it
with the wonderful holidays we used to have up there when I was
a child."
"That is definitely nostalgia," she said.
"All right," he said. "Your turn. What do you remember eating as a child?"
"Oh, sherbert dabs and refreshers!" She said flippantly and then
grimaced. "But there’s nothing interesting to remember really,"
she went on. "The Mackenzies are such a very dull family."
"I can’t believe that. How could they have produced you?"
"Oh I’m dull too," she said airily, with a slight wave of the
glass. "It’s only my work that’s interesting. The rest of me is
a mess."
"A mess is not the same as dull," he said.
"You can have dull a mess rather than an interesting mess. I’m
a dull mess."
He laughed and said, "If you insist."
She took another great mouthful of wine and considered her
family for a moment.
"Well, I suppose they’re not so dull, my family."
"Tell me about them."
"Well, my mother’s a recently retired civil servant and my
sister Fiona, she’s a junior doctor, in Manchester."
"And your father?"
"He’s dead, died three years ago now,"
"I’m sorry," he said. She glanced up at him, realising he was
about the same age as her father when he died. But her father
in her recollection seemed a great deal older.
She shrugged, and went on, "The worst thing about my family is
they’re all very public spirited. Dad was a civil servant too.
And what am I - a bloody artist!" She grinned. "I used to
pretend I was adopted sometimes. But unfortunately, I look very
like my mother."
"Then she must be good looking."
"That’s dreadful!" she said and laughed to cover her surprise.
His remark, she felt, had crossed that invisible line from
ordinary friendliness into the realms of flirtation.
He laughed too and nervously. "Yes that was a little glib, but I
couldn’t resist it," he said. "Will you forgive me?"
"Of course," she said.
"It’s just my inexperience," he went on.
"Inexperience?" she queried.
"Oh God, you don’t think I am, do you?" he said. "Oh, but I can imagine
how this might appear...." He began to laugh and, he covered his mouth
his hand and appeared to be trying to compose himself, as the waiter
brought the next course. When the waiter had gone, he said, "Please
excuse me - it’s just I hadn’t quite cast myself in that role - the
disgusting old divorc顳inking his fangs into an innocent girl."
"Well, I am not innocent girl. I’m twenty six," said Kate, calmly.
He stared at her. "Goodness, you’re the same age as my son." He
put down his knife and fork and thought for a moment. "But
really, I am sorry, I didn’t mean to appear to be...how do I put
this? Pushy?"
"You’re not," said Kate. "I wouldn’t be here if I didn’t want to be, would I?"
"But I don’t like the thought that..."
"I wouldn’t worry," said Kate, dipping a potato into the buttery
juices of the halibut. "I mean we’re having fun, aren’t we?
Isn’t that all that matters?" She found she was rather proud of
herself for saying this. She felt excited and altogether quite
reckless.
"You’re absolutely right," he said, smiling broadly. His smile
was magnificent. She tried to picture him as he would have been
at her age, and realized that it was time that had made his face
so interesting. Then he would have been just another handsome
young man with not one half of the assurance he had now.
She had recounted the evening the next day to Liz, who promptly
labelled him the Angel Gabriel, because Kate had made him sound
so perfect. It did seem almost impossible that anyone could be
quite so perfect and Kate felt apprehensive about their next
meeting - they had decided to go and see The Magic Flute
together. As she got ready to go, she found herself wishing it
were possible to hover for ever on the brink of expectation, at
that impulse of first attraction, the equivalent of that
delicious moment before the roller coaster plunges downwards.
She was nervous of going on although she wanted to. What if she
found out something awful about him? What if he had lied, and
did in fact have a wife, as well as a string of
mistresses? Perhaps he had some obnoxious sexual habit for her
to discover, and surely that was not at all impossible for someone
of his background. Weren’t boarding schools and nannies
supposed to do strange things to people?
Her nerves were not helped a great deal when Martin, Liz’s
boyfriend, informed her that Gabriel Erksine was probably one of
the wealthiest men in Scotland. Martin worked for a pukka firm
of chartered accountants and Gabriel turned out to be a client.
"It’s steel money of course," said Martin. "And ships. The
family made a killing with nationalisation and the amazing thing
is they’ve held onto it. He’s very canny apparently."
"Well, that explains why he could spend two thousand quid without
blinking," said Liz. Kate felt disappointed. It was as if her
pictures were trifles to him, which had required him to make no
sacrifices. But at the theatre, just before the lights went
down and the overture began, Gabriel told her that he had spent
two days moving the pictures around at Allansfield so that he
could find a good spot for Pandora.
"I’m afraid there was no room for Triptych though - and anyway
it would have been selfish of me to keep them both, so I’ve sent
that off to the Erskine-Lennox trust."
"What’s that?"
"It’s rather charming trust my grandfather set up. It sends
pictures all over Scotland, to places that don’t have
collections of their own - schools, hospitals, village halls,
that sort of thing. Do you mind?"
"Mind?" said Kate, a little incredulously. "It sounds like the
sort of thing painters dream about."
As the performance proceeded, she realised she was sinking fast.
She had felt profoundly comfortable, knowing that he was
watching the action with the same attention as her. When,
almost at the end, Pamina and Tamino sang their duet to the
accompaniment of throbbing strings, she could not resist
glancing at him. He had the same thought and turned to her,
reached out her for her hand, squeezed it gently for a moment
and then let go again. It was an instant of pure communication
that she had never experienced with a man before.
Kate had just finished wrapping up the last of her unfinished
paintings when the doorbell rang. She went to answer it,
knowing it would either be her mother or Gabriel. It proved to
be her mother.
She came into the flat, a little breathless from the three
flights of stairs, carrying two large shopping bags.
"I’m not going to miss those stairs, you know," she said. She
put down the bags in the hall. "How’s the packing going?"
Before Kate had a chance to answer, she added, "You’ve been
crying."
It was useless to deny it.
"Just nerves, I suppose," Kate said with a shrug.
"Well, I’d be nervous in your shoes," said Mrs Mackenzie,
following Kate into the kitchen.
"Well, I think it’s a good sign," said Kate. "I mean you should
feel nervous doing something important - and this is important."
Kate appreciated the fact that her mother said nothing at this
point. It had taken Mrs Mackenzie a while to get used to the
idea of Kate going out with a man who was twenty two years her
senior. The first time Kate had taken him to the house in
Craiglockhart Loan, she had almost visibly blenched at the sight
of him. It had been ironic really. Gabriel was probably the
first respectable looking male Kate had brought home to her
mother and yet she could see in Mrs Mackenzie’s panic struck
eyes she would have preferred an unshaven yob with Doc Martins
and ripped jeans sprawling on the sofa in the front room to this
forty-eight year old.
"What’s in the bags?" Kate asked, as she made the tea.
"Just some family things I thought you ought to have," said Mrs
Mackenzie. "Things your father would have wanted you to have
when you left home."
"I left home four years ago," Kate pointed out. "Don’t you mean when I got married?"
"Yes I suppose I do, and since this seems to be the nearest
you’re going to get to that just now..." she said with a sigh.
"Would you prefer it if we were getting married, Mum?" said
Kate. "If we were engaged or something?"
"Yes," said her mother. "Frankly, Kate, I would. I wouldn’t feel
you were rushing into things so. You’ve only known him six
months. You can’t really know someone in that time."
"So, that’s why I’m moving in with him, isn’t it?" said Kate. "I
can’t think of a better way to get to know someone than living
with them, properly living with him."
"I suppose that’s the way people arrange things these days,"
said her mother. "But it still surprises me that he should
suggest it."
"Gabriel didn’t suggest it. We came to a mutual decision."
Kate saw again that her mother was biting her tongue. She was
only five years older than Gabriel, but the psychological gap
between them seemed far wider sometimes than their own twenty
two years gap. Besides, Kate never thought of Gabriel as being
old - he was merely older than her. He never pulled rank on her
in respect of age. That was one of things she liked about him
most of all: he never patronised her, never suggested that he
knew any better about anything than she did, except perhaps in
the matter of Latin names for plants, which amused her. His
pride in his botanical knowledge was endearing.
She went into the hall and looked into the bags. There were
some old books that had belonged to her father and other less
identifiable items, carefully wrapped up in newspaper.
"They’re nothing special," said her mother. "But you should
have them. And I dare say Gabriel will have more room for them
than I do."
Kate wondered if Mrs Mackenzie had quite understood how large
Allansfield actually was. The way Gabriel talked about it
sometimes made it sound like nothing more than a farmhouse. She
was going to get a shock when she first saw the place, just as
Kate had done.
Kate lifted out one of the newspaper packages and unwrapped it.
Inside she found an old brass candlestick.
"They belonged to your grandparents," said her mother. "Fiona’s
got the other."
"Thanks, Mum," said Kate realising that the candlestick meant
that Mrs Mackenzie would, with time accept the situation with
Gabriel. "I really do appreciate this." Her mother smiled
briefly and went into the chaos of Kate’s half packed up room.
Kate following her, went on, "And I am sure about this,
absolutely sure that this is right thing for me. I’m crazy
about Gabriel and Allansfield is the most fabulous place..."
Her mother who had automatically begun folding a jumper, looked
up and said wryly: "Oh, Kate, are you sure that ‘crazy’ is quite
the right word to use to your old disapproving mother?"
© Harriet Smart
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© 2010 Harriet Smart
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